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SET DEC/ART DEPARTMENT

AVAILABLE NOW

SET DRESSING

Prop details on Vacatixn's 'Dear Mylene' music video which I designed, as well as sourced props and built and dressed the set for.

Still from Vacatixn's 'Dear Mylene' music video, which I designed, as well as sourced props and built and dressed the set for.

Still from Lollipops, which I designed, sourced the props, and dressed the set for.

Still from Lollipops, which I designed, sourced the props, and dressed the set for.

Still from Lollipops, which I designed, sourced the props, and dressed the set for.

Still from Let Go, which I designed, sourced the props, and dressed the set for.

Still from Through the Mirror, which I designed, sourced the props, and dressed the set for.

Still from Through the Mirror, which I designed, sourced the props, and dressed the set for.

Still from Lola Lies 'Cancer', which I designed, sourced the props, and dressed the set for.

Still from Lola Lies 'Cancer', which I designed, sourced the props, and dressed the set for.

Still from Lola Lies 'Cancer', which I designed, sourced the props, and dressed the set for.

Still from Straight and Narrow, which I sourced the props, and dressed the set for.

Still from Straight and Narrow, which I sourced the props, and dressed the set for.

Still from Students, Retreat! I art department assisted on this film and in this shot I built the barricade shown, as well as diffed the windows and fitted the blinds.

Still from Students, Retreat! I art department assisted on this film and in this shot I dressed the cabinet in the background.

Still from Students, Retreat! I art department assisted on this film and dressed this shot.

TECHNICAL DRAWING/CAD

Technical drawing using AutoCAD

Model using Sketchup

Model using Sketchup

Model using Sketchup

Floorplan done using AutoCAD

Model using Sketchup

Model using Sketchup

Model using Sketchup

Floorplan done using AutoCAD

Model using Sketchup

GRAPHICS

I designed this shop sign for a film shot last year - the sign was printed on a large metal sheet and hung up on set

I designed this poster for an unreleased film centred around a new psychedelic drug called Octafloyd

This poster was used for Living by Numbers

Poster used in a restaurant scene

Poster for We Will Be in Paris

I made numbers 1-10 of these - they were used to be pinned up on a billboard advertising an event that a character walked past each day

I regularly design posts similar to this as part of my social media work

I regularly design posts similar to this as part of my social media work

PROP MAKING AND SOURCING

I created these moss ball lanterns for Jessie and the Elf Boy by placing battery powered tealights inside glass balls that I glued moss to. These were used to create a practical source of light in a way that didn't look out of place in a home belonging to a fairy.

Prop milkshake that I made for Lola Lies 'Cancer'

I sourced the dressing props for this scene

I sourced most of the dressing props for this scene, and made a few others. I also made the fake blood featured throughout the video, and made the cakes look mouldy.

I sourced these props for Vacatixn's 'Dear Mylene' music video. I also painted this table with a wood effect - it was originally black.

I made this 'red weapon' for the film HUB - I don't have a photo of it used on set

I sourced the props used to dress this living/dining room scene in Lola Lies 'Cancer'

I sourced the props used for Vacatixn's 'Dear Mylene'. I also built the shelf on the back wall, and painted the table on the back right with a wood effect (it was originally black)

I sourced this bed and sheets, and transported it to the woods for Bottle

I made the highlight used in this scene, as well as the pot used for it. It was originally a candle.

WHITE CARD MODEL MAKING

I made this white card model of a cottage for a fantasy film. The character that lives there is initially presented as good, but throughout the film we see them become 'bad'. To reflect this we wanted to build a nice looking cottage, but there are no 90 degree angles used. Most of these measurements are only slightly off, with the top floor the only immediately noticeable 'wonky' feature. The aim here was to make the viewer feel slightly uneasy the more time was spent in/around the house with the character, but it wasn't immediately obvious why

I made this white card model of a cottage for a fantasy film. The character that lives there is initially presented as good, but throughout the film we see them become 'bad'. To reflect this we wanted to build a nice looking cottage, but there are no 90 degree angles used. Most of these measurements are only slightly off, with the top floor the only immediately noticeable 'wonky' feature. The aim here was to make the viewer feel slightly uneasy the more time was spent in/around the house with the character, but it wasn't immediately obvious why

I made this white card model of a cottage for a fantasy film. The character that lives there is initially presented as good, but throughout the film we see them become 'bad'. To reflect this we wanted to build a nice looking cottage, but there are no 90 degree angles used. Most of these measurements are only slightly off, with the top floor the only immediately noticeable 'wonky' feature. The aim here was to make the viewer feel slightly uneasy the more time was spent in/around the house with the character, but it wasn't immediately obvious why

I made this white card model of a cottage for a fantasy film. The character that lives there is initially presented as good, but throughout the film we see them become 'bad'. To reflect this we wanted to build a nice looking cottage, but there are no 90 degree angles used. Most of these measurements are only slightly off, with the top floor the only immediately noticeable 'wonky' feature. The aim here was to make the viewer feel slightly uneasy the more time was spent in/around the house with the character, but it wasn't immediately obvious why

I made this white card model of a cottage for a fantasy film. The character that lives there is initially presented as good, but throughout the film we see them become 'bad'. To reflect this we wanted to build a nice looking cottage, but there are no 90 degree angles used. Most of these measurements are only slightly off, with the top floor the only immediately noticeable 'wonky' feature. The aim here was to make the viewer feel slightly uneasy the more time was spent in/around the house with the character, but it wasn't immediately obvious why

I made this white card model of a cottage for a fantasy film. The character that lives there is initially presented as good, but throughout the film we see them become 'bad'. To reflect this we wanted to build a nice looking cottage, but there are no 90 degree angles used. Most of these measurements are only slightly off, with the top floor the only immediately noticeable 'wonky' feature. The aim here was to make the viewer feel slightly uneasy the more time was spent in/around the house with the character, but it wasn't immediately obvious why

I made this white card model of a cottage for a fantasy film. The character that lives there is initially presented as good, but throughout the film we see them become 'bad'. To reflect this we wanted to build a nice looking cottage, but there are no 90 degree angles used. Most of these measurements are only slightly off, with the top floor the only immediately noticeable 'wonky' feature. The aim here was to make the viewer feel slightly uneasy the more time was spent in/around the house with the character, but it wasn't immediately obvious why

MOODBOARDS AND RESEARCH

Page from the lookbook I created for Living by Numbers

Page from the lookbook I created for Living by Numbers

Initial 'sleeping beauty' inspired moodboard for a bedroom scene

Page from the lookbook I created for Living by Numbers

Page from the lookbook I created for Living by Numbers

An initial 'Alice in Wonderland' inspired moodboard for Through the Mirror

Page from the lookbook I created for Living by Numbers

Initial ideas moodboard - I was designing the home of a character that had grown up in an important political family in Turkey in the 1600s, and was considering how she may have been inspired by this when she decorated the home she moved to in England. She was also gifted a 'simple Chinese bed' in one scene, which I included in this board

Page from the lookbook I created for Living by Numbers

Initial ideas moodboard for a film set in an English boarding school

Page from the lookbook I created for Living by Numbers

Initial ideas moodboard for an English castle scene

Page from the lookbook I created for Living by Numbers

Initial 'red riding hood' inspired moodboard

Page from the lookbook I created for Living by Numbers

Initial ideas moodboard for a scene set in an old castle dining hall

Page from the lookbook I created for Living by Numbers

Initial 'sleeping beauty' inspired moodboard

Page from the lookbook I created for Living by Numbers

A page from a lookbook for an upcoming series

Initial moodboard for Living by Numbers

A page from a lookbook for an upcoming series

CONCEPT ART

Concept art for an upcoming series

Concept art for an upcoming series

Concept art for an upcoming series

Set Concept for Living by Numbers

Concept art for an upcoming series

OTHER ART

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